Karaoke
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Karaoke (カラオケ, clipped compound of Japanese kara 空 "empty" and ōkesutora オーケストラ "orchestra") /ˌkæriˈoʊki/ or /ˌkærəˈoʊki/ Japanese: [kaɾaꜜoke] (
The term karaoke
is also used by recording engineers to refer to an instrumental version of a
recording (i.e., to a version of a recording with no vocal track).
Contents
- 1 History
- 1.1 1960s: Development of audio-visual-recording devices
- 1.2 1970s: Development of the karaoke machine
- 1.3 1990s
- 2 Technology
- 2.1 Early age
- 2.2 Video games
- 2.3 VCDs
- 2.4 On mobile phones
- 2.5 On computers and the Internet
- 2.6 In automobiles
- 2.7 Alternative playback devices
- 3 Terms
- 4 In culture
- 4.1 Public places
- 4.2 Taiwan
- 4.3 South Korea
- 4.4 The Philippines
- 4.5 Australia
- 4.6 Production methods
- 4.7 Contests
- 4.8 World records
- 5 See also
- 6 References
- 7 External links
History
The concept
of creating studio recordings that lack the lead vocal has been around for nearly
as long as recording itself. Many artists, amateur and professional, perform in
situations where a full band/orchestra is either logistically or financially
impractical, so they use a "karaoke" recording; they are, however,
the original artists. (This is not to be confused with "lip synching," in which a performer mimes
to a previously produced studio recording with the lead vocal intact.)
1960s: Development of audio-visual-recording devices
From
1961–1966, the American TV network NBC carried a karaoke-like series, Sing Along with
Mitch, featuring host Mitch Miller and a chorus, which superimposed
the lyrics to their songs near the bottom of the TV screen for home audience
participation.[2] The primary difference between
Karaoke and sing-along songs is the absence of the lead vocalist.
Sing-alongs
(present since the beginning of singing) fundamentally changed with the
introduction of new technology. In the late 1960s and into the 1970s, stored
audible materials began to dominate the music recording industry and
revolutionized the portability and ease of use of band and instrumental music
by musicians and entertainers as the demand for entertainers increased globally.
This may have been attributable to the introduction
of music cassette tapes, technology that arose from the need to customize music recordings and the
desire for a "handy" format that would allow fast and convenient
duplication of music and thereby meet the requirements of the entertainers'
lifestyles and the 'footloose' character of the entertainment industry.
1970s: Development of the karaoke machine
The
karaoke-styled machine was invented by Japanese musician Daisuke Inoue[3] in Kobe, Japan, in 1971.[4][5], although the audio company Clarion
was the first commercial producer of the machine due to there being no patent.
In Japan, it
has long been common to provide musical entertainment at a dinner or a party.
Inoue, a drummer, was frequently asked by guests in the Utagoe Kissa where he performed to provide
recordings of his performances so that they could sing along. Realizing the
potential for the market, he made a tape recorder-like machine that played
songs for a 100-yen coin each.
Instead of
giving his karaoke machines away, Inoue leased them out so that stores did not
have to buy new songs on their own. Originally, it was considered a somewhat
expensive fad, as it lacked the live atmosphere
of a real performance and 100 yen in the 1970s was the price of two typical
lunches, but it caught on as a popular kind of entertainment. Karaoke machines
were initially placed in restaurants and hotel rooms; soon, new businesses
called karaoke
boxes, with
compartmented rooms, became popular. In 2004, Daisuke Inoue was awarded the tongue-in-cheek Ig Nobel Peace Prize for inventing karaoke,
"thereby providing an entirely new way for people to learn to tolerate
each other."[6]
1990s
Karaoke soon
spread to the rest of Asia and other countries all over the
world. In-home karaoke machines soon followed but lacked success in the
American and Canadian markets. When creators became aware of this problem,
karaoke machines were no longer being sold strictly for the purpose of karaoke
but as home theater systems to enhance television
watching to "movie
theater like
quality". Home theater systems took off, and karaoke went from being the
main purpose of the stereo system to a side feature.
As more
music became available for karaoke machines, more people within the industry
saw karaoke as a profitable form of lounge and nightclub entertainment. It is not uncommon
for some bars to have karaoke performances seven nights a week.[7] commonly with high-end sound
equipment superior to the small, stand-alone consumer versions. Dance floors and lighting effects are also
becoming common sights in karaoke bars. Lyrics are often displayed on multiple
television screens around the bar.
Technology
Early
karaoke machine
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A basic
karaoke machine consists of a music player, microphone inputs, a means of altering the pitch of the played music, and an audio
output. Some low-end machines attempt to provide vocal suppression so that one
can feed regular songs into the machine and remove the voice of the original
singer; however, this is rarely effective. Most common machines are CD+G, Laser Disc, VCD or DVD players with microphone inputs and
an audio mixer built in.[8] CD+G players use a special track
called subcode to encode the lyrics and pictures
displayed on the screen while other formats natively display both audio and
video.
Most karaoke
machines have technology [9] that electronically changes the
pitch of the music so that amateur singers can choose a key that is appropriate
for their vocal range, while maintaining the original tempo of the song. (Old
systems which used cassettes changed the pitch by altering playback speed, but none
are still on the market, and their commercial use is virtually nonexistent.)
A popular
game using karaoke is to type in a random number and call up a song, which
participants attempt to sing. In some machines, this game is pre-programmed and
may be limited to a genre so that they cannot call up an obscure national
anthem that none of the participants can sing. This game has come to be called
"Kamikaze Karaoke" or "Karaoke Roulette" in some parts of the United
States and Canada.[citation needed]
Many low-end
entertainment systems have a karaoke mode that attempts to remove the vocal
track from regular audio CDs, using an Out Of Phase Stereo (OOPS) technique. This is done by center channel extraction,
which exploits the fact that in most stereo recordings the vocals are in the
center. This means that the voice, as part of the music, has equal volume on
both stereo channels and no phase difference. To get the quasi-karaoke (mono) track, the left channel of the
original audio is subtracted from the right channel. The Sega Saturn also has a
"mute vocals" feature that is based on the same principle and is also
able to adjust the pitch of the song to match the singer's vocal range.
This crude
approach results in the often-poor performance of voice removal. Common effects
are hearing the reverberation effects on the voice track (due to stereo reverb on the vocals not being in
the center); also, other instruments (snare/bass drum, bass guitar and solo
instruments) that happen to be mixed into the center get removed, degrading
this approach to hardly more than a gimmick in those devices. Recent years have
seen the development of new techniques based on the Fast Fourier
Transform. Although
still not perfect, the results are usually much better than the old technique,
because the stereo left-right comparison can be done on individual frequencies.
Early age
Early
karaoke machines used 8-track cartridges (The Singing Machine) and cassette tapes, with printed lyric sheets, but
technological advances replaced this with CDs, VCDs, laserdiscs and, currently, DVDs. In the late 1980s and 1990s, Pioneer
Electronics dominated
the international karaoke music video market, producing high quality karaoke
music videos (inspired by the music videos such as those on MTV).[citation needed]
In 1992, Taito introduced the X2000, which fetched music via a dial-up telephone network.
Its repertoire of music and graphics was limited, but its smaller size and the
advantage of continuous updates saw it gradually replace traditional machines.
Karaoke machines which are connected via fiber-optic links enabling them to provide
instant high-quality music and video are becoming increasingly popular.[citation needed]
Karaoke
direct is an
Internet division established in 1997 been serving the public online since
1998. They released the first karaoke player that supports MP3+G and now[when?] the KDX2000 model supporting
karaoke in DIVX Format.[citation needed]
Video games
Main
article: Music video
game § Pitch games
The earliest
karaoke-based music video
game, called Karaoke Studio, was released for the Nintendo Famicom in 1985,
but its limited computing ability made for a short catalog of songs and
therefore reduced replay value. As a result, karaoke games were considered little
more than collector's items until they saw release in higher-capacity DVD
formats.[citation needed]
Karaoke
Revolution, created
for the PlayStation
2 by Harmonix and released by Konami in North America in 2003, is a
console game in which a single player sings along with on-screen guidance and
receives a score based on pitch, timing, and rhythm. The game soon spawned
several follow-ups including Karaoke Revolution Vol. 2, Karaoke
Revolution Vol. 3, Karaoke Revolution Party Edition, CMT Presents
Karaoke Revolution: Country and Karaoke Revolution Presents: American
Idol. While the original Karaoke Revolution was also eventually
released for the Microsoft Xbox console in late 2004, the new
online-enabled version included the ability to download additional song packs
through the console's exclusive Xbox Live service.[citation needed]
A similar
series, SingStar, published by Sony Computer
Entertainment Europe, is particularly popular in the European and Australasian
markets. Other music video
game titles that
involve singing by the player include Boogie and its sequel Boogie SuperStar, Disney Sing It, Get On Da Mic, the Guitar Hero series starting with World Tour, High School Musical: Sing It!, Lips, the Rock Band series, SingSong, UltraStar, and Xbox Music Mixer.[citation needed]
VCDs
Many VCD
players in Southeast Asia have a built-in karaoke function. On stereo
recordings, one speaker will play the music with the vocal track, and the other
speaker will play the music without the vocal track. So, to sing karaoke, users
play the music-only track through both speakers. In the past, there were only
pop-song karaoke VCDs. Nowadays, different types of karaoke VCDs are available.
Cantonese
opera karaoke VCD
is now a big hit among the elderly in Hong Kong.[citation needed]
On mobile phones
In 2003,
several companies started offering a karaoke service on mobile phones, using a Java MIDlet that runs with a text file
containing the words and a MIDI file with the music. More usual is to contain
the lyrics within the same MIDI file. Often the file extension is then changed
from .mid to .kar, both are compatible with the standard for MIDI files.
Researchers
have also developed karaoke games for cell phones in order to boost music
database training. In 2006, the Interactive Audio Lab at Northwestern
University released a game called Karaoke Callout for the Nokia Series 60
phone. The project has since then expanded into a web-based game and will be
released soon as an iPhone application.
Karaoke is
now available for the Android, iPhone and other playback devices at many
internet storefronts.
On computers and the Internet
Since 2003,
much software has been released for hosting karaoke shows and playing karaoke
songs on a personal computer. Instead of having to carry around hundreds of
CD-Gs or laserdiscs, KJs[who?] can "rip" their entire libraries onto
their hard drives and play the songs and lyrics from the computer.
Additionally,
new software permits singers to sing and listen to one another over the
Internet.
In automobiles
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Taxicabs equipped
with sound systems and a microphone appeared in South Korea in the 1990s.[10]
Chinese automobile maker Geely Automobile received much press in 2003 for
being the first to equip a car, their Beauty Leopard, with a karaoke machine as standard
equipment. Europe's first commercial "karaokecab" which was a London
TX4 taxi with a karaoke machine inside for occupants of the cab to use to sing
whilst in the cab. The idea and installation were made by Richard Harfield of
karaokeshop.com and was featured on Channel 4's Big Breakfast and several
German TV stations featured the karaokecab. Granada TV also featured the cab,
which is now in its 4th vehicle and operates in Bolton, Greater Manchester as Clint's
Karaoke Cab. Karaoke is often also found as a feature in aftermarket in-car DVD
players.
In 2010,
karaoke taxis were available in London, England in the 'Kabeoke' fleet of
private hire vehicles.[11]
Alternative playback devices
The CD+G format of a karaoke disc, which
contains the lyrics on a specially encoded subcode track, has heretofore
required special—and expensive—equipment to play. Commercial players have come
down in price, though, and some unexpected devices (including the Sega Saturn video game
console and XBMC Media Center on the first Xbox) can decode the
graphics; in fact, karaoke machines, including video and sometimes recording
capability, are often popular electronics items for sale in toy stores and
electronics stores.
Additionally,
there is software for Windows, Pocket PC, Linux, and Macintosh PCs that can
decode and display karaoke song tracks, though usually these must be ripped
from the CD first, and possibly compressed.
In addition
to CD+G and software-based karaoke, microphone-based karaoke players enjoy
popularity mainly in North America and some Asian countries such as the
Philippines. Microphone-based karaoke players only need to be connected to a
TV—and in some cases to a power outlet; in other cases they run on batteries.
These devices often support advanced features, such as pitch correction and
special sound effects. Some companies offer karaoke content for paid download
to extend the song library in microphone-based karaoke systems.
CD+G, DVD,
VCD and microphone-based players are most popular for home use. Due to song
selection and quality of recordings, CD+G is the most popular format for
English and Spanish. It is also important to note that CD+G has limited
graphical capabilities, whereas VCD and DVD usually have a moving picture or
video background. VCD and DVD are the most common format for Asian singers due
to music availability and largely due to the moving picture/video background.[citation needed]
Terms
Jūhachiban
(十八番. also ohako). Many karaoke
singers have one song which they are especially good at and which they use to
show off their singing abilities. In Japan, this is called jūhachiban in
reference to Kabuki
Jūhachiban, the 18
best kabuki plays.
Karamovie or
Movioke
Main article: Movieoke
Karaoke using scenes from movies.
Amateur actors replace their favorite movie stars in popular movies. Usually
facilitated by software or remote control muting and screen blanking/freezing.
Karamovie originated in 2003.
Karaoke
jockey or KJ
A karaoke jockey plays and manages
the music for a venue. The role of the KJ often includes announcing song titles
and whose turn it is to use the microphone.
Hitokara
Singing karaoke alone is called
hitokara (ヒトカラ, abbreviation for ひとりカラオケ; ひとり hitori, "one
person" or "alone" + カラオケ karaoke)
in Japan. Recently this trend has become very popular amongst amateur singers
in Japan, India and China.
In culture
Public places
Lobby of a
karaoke box in Japan
Entrance to
a karaoke box in China
Asia
In Asia, a karaoke box is the most popular type of karaoke
venue. A karaoke box is a small or medium-sized room containing karaoke
equipment rented by the hour or half-hour, providing a more intimate
atmosphere. Karaoke venues of this type are often dedicated businesses, some with
multiple floors and a variety of amenities including food service, but hotels
and business facilities sometimes provide karaoke boxes as well. In South Korea karaoke boxes are called norebangs.[12] In Taiwan and China, a karaoke
establishment is called a KTV.
In some traditional Chinese restaurants, there are so-called
"mahjong-karaoke rooms" where the elderly play mahjong while teenagers sing karaoke. The
result is fewer complaints about boredom, but more noise. Noise regulations can be an issue, especially when
karaoke is brought into residential areas.
Violent
reactions to karaoke singing have made headlines in Malaysia, Thailand and the
Philippines, with reports of killings by listeners disturbed by the singing. In
the Philippines, at least a half dozen killings of people singing "My Way" caused newspapers there to
label the phenomenon "My Way killings"; some bars refuse to allow
the song, and some singers refrain from vocalizing it among strangers.[13]
Prostitution
has been any issue in certain Karaoke boxes in Cambodia, Sri Lanka, Thailand
and other parts of Southeast Asia despite being illegal in those countries.[14][15][16] In Thailand, "karaoke
girls" are brought in not only from Thailand but from neighboring
countries and are sent to other parts of the world.[17]
Asian
karaoke establishments are often fronts for gentlemen's
clubs, where men
pay for female hosts to drink, sing, and dance with them.[citation needed] Such a business is called, and a
piano bar in Japan.[citation needed]
North America and Europe
A karaoke
bar, restaurant, club or lounge is a bar or restaurant that provides karaoke
equipment so that people can sing publicly, sometimes on a small stage. Most of
these establishments allow patrons to sing for free, with the expectation that
sufficient revenue will be made selling food and drink to the singers. Less
commonly, the patron wishing to sing must pay a small fee for each song they
sing. Both are financially beneficial for the establishment by not having to
pay a professional singer or a cabaret tax which is usually applied to any
entertainment of more than 1 person.
Many
establishments offer karaoke on a weekly schedule, while some have shows every
night. Such establishments commonly invest more in both equipment and song
discs, and are often extremely popular, with an hour or more wait between a
singer's opportunities to take the stage (called the rotation).
Private
karaoke rooms, similar to Asia's karaoke boxes, are commonplace in communities
such as Toronto, Los Angeles, Chicago, New York City and San Francisco. Toronto's Koreatown is one example of an area where
popularity is growing to the point that private karaoke rooms require
reservations on the weekends.
Karaoke is
very popular in Scotland with dedicated karaoke venues in
most reasonably large towns. Aberdeen is home to a number of notable
karaoke bars including Wagleys, The Spirit Level, Bardot's Karaoke Bar, Sing
City.
Throughout
much of North
America, live band
karaoke is also popular. With live band karaoke, singers sing with a live band
instead of the prerecorded backing track.
Rock critic Rob Sheffield claims that the 1986 music video
for the song "Wild Wild
Life" by
the Talking
Heads was the
first depiction of karaoke in American popular culture. The video features a
variety of characters taking turns singing portions of the song to an audience
at a bar.[18]
The karaoke
box at Karaoke Kan (Tokyo) where Bill Murray and Scarlett Johansson sang in Lost
In Translation.
Karaoke made
a brief appearance in Sofia Coppola's 2003 movie Lost In Translation, and it was, three years before, the primary focus of Bruce Paltrow's 2000 film Duets, written by John Bynum and starring Paltrow's daughter
Gwyneth and Huey Lewis, "anchor-man" of Huey Lewis
and the News.
Also popular
among the international performing arts community in Europe, a group of Finnish
producers organized an international karaoke competition called KWC (Karaoke
World Championships). Their 2011 international karaoke competition has
attracted ABC producers
to help host America's karaoke competition in Las Vegas Nevada called Karaoke
Battle USA. The competition is promised to select 1 male and 1 female
contestant to represent the U.S. in the international arena. Largely supported
by the Broadway community in Times Square, Pulse Karaoke Lounge sponsored 2011's New York state karaoke finals to
select individuals representing New York in the eastern finals.
According to
the New York
Times, the dozens
of karaoke bars in Portland, Oregon make it not just "the capital
of karaoke" in the United States, but "one of the most exciting music
scenes in America."[19]
Taiwan
In Taiwan,
karaoke bars similar to those in Japan and South Korea are called KTVs, which
stands for karaoke television. Karaoke is a highly popular form of recreation
in Taiwan. The biggest KTV chain in Taiwan is Cashbox KTV.
South Korea
A noraebang
(Korean: 노래방) refers to a singing venue in South
Korea where private sound-proof rooms are available for rent, equipped for
singing – typically microphones, remote controls, a large video screen,
couches, and mood décor such as disco lights and tambourines. The term
noraebang is a Korean compound word, blending norae (노래 - song) and bang (방 - room). It is the regional
equivalent to the Karaoke box in Japan.[20]
Singing is
an important part of social life in Korea, where people will perform, and be
persuaded to perform, an impromptu song at virtually any social occasion.[21] As such, noraebangs are popular and
widespread, often identifiable by bright neon signs with musical notes or microphones.[22]
Often the
last stop after a night of alcohol-lined entertainment for youths and
businesspeople alike,[23][24] noraebangs are also a favorite
family pastime, and many are surprisingly dry venues.[25] People also frequent noraebangs as
a form of stress relief, and some noraebangs cater to those who seek to sing
alone.[26]
The Philippines
Karaoke has
become a past-time activity in the Philippines especially when entertaining
friends at home. The 'minus-one' music on tapes during the late 1960s with
prevailing songs such as the Beatles pop songs had become favorite songs.
Singing contests during town festivals would attract contestants who carry with
them cassette tapes with instrumental versions of their songs to use during
their renditions.
Sharp
Corporation produced a karaoke party system HK-Z20 with double cassette decks,
one for synchronizing/recording and one for continuous playback. This model
became a popular device and had been exported to other countries.
One
long-running popular device from the 1990s has been the MagicSing, a plug and
play microphone that houses about 2000+ songs and with extendable song chips in
it and connected directly to a TV unit. This device also provides singing
scores, and later models (some now known as WOW MagicSing) have a recording
feature.
Karaoke in
the Philippines is also known for the My Way killings, a number of fatal disputes which
arose due to the singing of the song "My Way", popularized by Frank Sinatra, in Karaoke bars. A New York Times article estimates the number of
killings to be about six up to 2010.[13] Another source estimates at least
12 between 2002-2012.[27] Opinions differ over whether the
possible connection is due to the coincidence that the song was simply
frequently sung amid the nation's karaoke bars where violence is common or to
the aggressive lyrics of the song itself.
The current[when?] best selling karaoke in the
Philippines is The Platinum, early produced and manufactured by HDT Corporation
and currently a stand-alone product. The Platinum offers the same experience as
MagicSing but it is a DVD Player and uses a CD with all of the karaoke songs
instead of a song chips, later high-end models introduced HDD capabilities for
users to just download the new update of songs on their website monthly, in
some models the CD is updated every 3 or 6 months depending on the model.[citation needed]
Recently,
GRAND Videoke released last October 11, 2013 that launched its first activated
videoke in the Philippines made from Korea. Not to similar as (WOW Videoke, WOW
Magic Sing & WOW Magic Mic).
Australia
In
Australia, karaoke was gradually popularized in the late 1980s. A number of
Filipino migrants brought with them their own 'minus-one' music from cassette
music tapes and video tapes purchased mainly in the Philippines. A number of
Philippine-imported karaoke units with two cassette drives were used in private
households. Video TV tapes, mainly consisted of popular and contemporary songs
rendered by Filipino artists, and with a mix of English and Tagalog songs were
soon used. Projected lyrics on TV screens became very common as the main source
of karaoke renditions. These tapes were soon replaced by CD+Gs, but a
plug-n-play karaoke microphone that housed a factory built-in songchip loaded
with hundreds of karaoke songs quickly became a favourite. This unit would
usually be purchased in the Philippines and brought into Australia, becoming a
common household item and is popularly used during gatherings.
Commercially,
karaoke was first introduced into Australia in 1989 by Robin Hemmings who had
seen karaoke operating in Fiji. Prior to this, karaoke was generally unknown to
the broader population. Hemmings, of Adelaide, South Australia, offered systems
manufactured by Pioneer which utilised 12in (30 cm) double-sided laser
discs containing a maximum of 24 songs with accompanying video track and
subtitled lyrics.
Despite some
initial resistance, Adelaide hoteliers The Booze Brothers offered limited
access to their hotels and the karaoke phenomenon was born. Hemmings business,
Karaoke Hire Systems, operated seven machines on a casual rental basis to
numerous hotels, clubs and private parties in and around Adelaide with an
additional machine on snow-season lease at Jindabyne, NSW. Each system came
complete with up to 24 discs containing a maximum of 576 music video tracks. In
Adelaide, karaoke reached its zenith in 1991 with virtually every hotel
offering at least one karaoke night per week with many having undertaken
alterations to their premises with the addition of purpose built stages and
sound systems. Karaoke rental suppliers had proliferated during this period and
Hemmings is known to have sold his business in late 1991 as a going concern.
Karaoke's
popularity in Adelaide waned from mid 1992 and was virtually extinguished by
early 1993. Despite periodic attempts by hoteliers and clubs to revitalise
karaoke, it has never managed to re-establish its former popularity.
In the
mid-2000s, a number of karaoke bars sprouted in Sydney with karaoke boxes
frequented by Japanese students and tourists and a few locals, especially on
Thursday nights and weekends. A number of clubs such as RSL, League Clubs and
restaurants and bars mainly feature karaoke nights to entice more customers and
to entertain guests. Sunfly Karaoke is probably the major karaoke brand
in Australia as well as the UK.[citation needed]
Production methods
Karaoke is
very popular in Asian countries, and many artists distribute a karaoke track at
the same time the song is released. The most common form of karaoke nowadays[when?] is released in MIDI format with on-screen lyrics on a DVD background
video.
In Europe
and North America, karaoke tracks are almost never done by the original artist,
but are re-recorded by other musicians.
South Korean
firms T.J. Media and Kumyoung produce digital music content in
MIDI format and manufacture computer
music players for
the Asian market.
Contests
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Since the
rise of karaoke around the world, karaoke contests have become a phenomenon of
mainstream culture, giving non-professional singers opportunity to showcase
their talent, win prizes, and at times, travel the world. Contest participants
are usually rated 50% by customer votes and 50% by judges' votes, but this may
vary, depending on the venue and the level of competition.
Karaoke World Championship is one of the most popular karaoke contests and has
been around since 2003. In September, 2011, Karaoke World Championships took
place in Killarney, Ireland.
World records
Robbie
Williams holds the
record for the largest number of people singing karaoke at one time, for over
120,000 people singing "Strong" live
at Knebworth 2003.[citation needed]
Hungary holds the record for the longest
Karaoke marathon with multiple participants for an event organized in the Honey
Grill Restaurant by Gabor Dániel Szabó (REVVOX Music). It lasted for 1011
hours, 1 minute, between 20 July 2011, and 31 August 2011. Each song was over 3
minutes long and the gap between songs was no longer than 30 seconds. No song
was repeated in any 2 hour period.[28]









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